Whoa, talk about layers. I do love the guy and his dark suit versus his face blending with the painting, but once you're done appreciating that... the chick walking, the buildings and car, the texture of the sidewalk, your reflection... which... the only part of you that can't be seen is your head or the camera, the street and the door or window frame, the smaller painting on the left just floating. It's like you took ten or 20 different moments that happened on that street over a day or over a week and smooshed them all together. If I were to compare it to an effect used in film and video, when the background and foreground run at different speeds and alternate speeds. Outstanding.
Trough the reflections in the window the guy looks to blend in with the painting behind him. Great shot.
ReplyDeleteVery cool, love the guy's expression and I agree with s.c., from a distance his face could almost be part of the painting.
ReplyDeleteWhoa, talk about layers. I do love the guy and his dark suit versus his face blending with the painting, but once you're done appreciating that... the chick walking, the buildings and car, the texture of the sidewalk, your reflection... which... the only part of you that can't be seen is your head or the camera, the street and the door or window frame, the smaller painting on the left just floating. It's like you took ten or 20 different moments that happened on that street over a day or over a week and smooshed them all together. If I were to compare it to an effect used in film and video, when the background and foreground run at different speeds and alternate speeds. Outstanding.
ReplyDeleteThanks for all the great comments and Sharona wow... I love your insights.
ReplyDeleteHe has a bit of a tough expression and knows you got him. Nice scene. Clean lines.
ReplyDelete